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- What is my nationaly:
- My sexual identity:
- Tone of my eyes:
- Lustrous green eyes
- My favourite drink:
- Red wine
- In my spare time I love:
- My tattoo:
- I don't have tattoos
- Color of my eyes:
- I’ve got bright hazel green eyes but I use colored contact lenses
Unlike the many old and wonderful things we have on display here at Ipswich, I am a relatively new addition to the museum.
With the artworks safely moved, the walls of the gallery were stripped of any old labels, s and vinyl, and given a couple of coats of Hague Blue paint. Jan 18, Exhibition Installation. A floorplan had been drawn-up back in July by Emma in collaboration with the Exhibitions team which mapped out where each of the objects would go and how they would be displayed e.
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Essentially, this means monitoring humidity and temperature levels inside the air-tight cases using a specialist device called a relative humidity and temperature data logger. In this case, a reinforced steel plinth was commissioned to bear the weight of the sculpture.
A reading that is either too high, too low or fluctuates dramatically can potentially cause deterioration to objects and so it is important that cases are kept at optimum levels.
It is important for objects to be appropriately conserved even whilst they are on display. Precise measurements had been taken of all the sculptures, which art curator, Emma, had chosen to feature in the exhibition.
For some, more delicate items, glass evolution cases are needed for both conservation and security.
This was then covered by an Z-MDF sleeve and several coats of white paint were applied to all the free-standing plinths. As I soon discovered, building an evolution case is no easy feat — it required the strength of the whole Exhibitions team with help from Visitor Services staff to put them all together.
For some objects weight was also taken into consideration, such as for Lactating escorts fremantle kg marble sculpture of Mrs.
Charles Hunter on loan from the Tate. Next, a variety of plinths were made to different height and width specifications. Masking tape was used to recreate this plan on the gallery floor in order to get a better idea of how the space would eventually look.
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In with the new Precise measurements had been taken of all the sculptures, which art curator, Emma, had chosen to feature in the exhibition. As a Trainee, I was given an exclusive behind-the-scenes look at the installation process from beginning to end and learned a lot about what it takes to make a successful exhibition!
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Now the gallery was prepped and primed and work on the installation could finally begin. Plinths are just one way in which items in an exhibition can be displayed.
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